1 Congratulations on your achievements in the MUSE Creative Awards! Could you start by introducing yourself or your agency? Can you also share a bit about your journey into your current industry?

I am Weng Lam (Stephy) Chan, an interior and furniture designer born and raised in Macao. Inspired by Macao’s rich architectural and luxury hospitality landscape, I approach every project through a balance of dynamism, structure, and material honesty. By pairing thoughtful detailing with a deep appreciation for culture, I strive to create memorable sanctuaries across the global hospitality design landscape.

2 What inspired you to submit your work for this competition, and what does winning mean to you personally and professionally?

LUSO is a Sino Portuguese Cultural Center and educational hub in Macao dedicated to celebrating and preserving Portuguese culture through dynamic, immersive exhibits. I submitted this to share Macao’s unique identity as a cross cultural bridge between East and West with an international audience. Rooted in the concept of Bridging Horizons, the project translates iconic bridge forms and sweeping archways into a fluid physical narrative celebrating Portuguese heritage within a Chinese context. Personally, this recognition gives me the confidence to keep pushing creative boundaries and honoring my roots through design. Professionally, winning a MUSE Creative Award provides an incredible global platform to highlight Macao’s rich, multilayered cultural heritage and validate my approach to narrative driven interior architecture.

3 Can you share the story behind your success? What inspired its creation, and what do you feel it represents in today’s industry?

The story behind my project comes from a deeply personal place. Growing up in Macao, I witnessed daily how Portuguese and Chinese traditions seamlessly coexist, yet I felt this unique fusion was rarely explored through modern, immersive interior architecture. My mission was to create an educational hub that allows visitors to physically experience this cultural dialogue through sweeping archways and fluid spaces inspired by the Lotus Bridge. To me, my project represents the growing importance of cultural preservation through innovative design. In today’s industry, spaces shouldn’t just be functional or aesthetic; they should tell meaningful stories. This award proves that rooted, local stories have the power to resonate on a global scale.

4 What do you believe set your project apart in such a competitive field? Were there specific elements or strategies that made it shine?

What set my project apart was the seamless synthesis between cultural storytelling and modern interior architecture. Instead of relying on traditional or ornamental decoration, I translated Macao’s heritage into modern architectural forms by using sweeping archways and fluid lines to tell the story. This balance between honoring roots and pushing modern aesthetics gives the space a timeless, innovative energy.

5 Every project has its challenges. Can you share a significant obstacle you faced during this process and how you overcame it?

The primary challenge was finding the right balance between tradition and modern minimalism. There was a fine line between making the space feel overly traditional or, conversely, too minimally sterile. To solve this, I focused on spatial abstraction and inclusive design. Instead of static displays, I created dynamic architectural pathways using repetitive arches that feel modern yet respectful of history. To ensure the center appealed to everyone, I layered the programming, incorporating an interactive hub for active engagement alongside a dedicated children’s library, ensuring cultural learning is approachable for all ages.

6 Winning an award of this caliber often brings recognition. What do you hope this achievement will mean for your career, your team, or your agency in the long run? Have you already noticed any changes or opportunities arising from this recognition?

As a designer currently completing my studies, this recognition serves as an incredible milestone and a powerful catalyst for my career. This award validates my design philosophy on a global stage and gives me the confidence to step into the industry with a clear, defined voice. Looking ahead, I hope this achievement opens doors to collaborative opportunities with design firms and clients who value cultural storytelling. While I am just beginning this professional chapter, the award has already served as a meaningful stepping stone, sparking valuable conversations and connecting my work to an international community.

7 What has the reaction been from clients, audiences, or stakeholders about your winning entry? Any feedback or memorable moments that stand out?

The reaction from my academic mentors, peers, and the local community in Macao has been incredibly uplifting. A standout moment was celebrating this achievement with my professors, whose guidance helped refine the project along the way. The most meaningful feedback has come from fellow Macao locals who felt that the project captured the true spirit of our cultural heritage in a fresh, contemporary way.

8 For those aspiring to achieve similar success, what advice would you offer to help them not only thrive in their industries but also craft compelling, award-worthy entries? Are there specific practices, mindsets, or strategies you believe are key?

My biggest piece of advice is to test your concept on fresh eyes. When you spend months immersed in a project, it’s easy to lose perspective. I made a point to share my work with people outside my immediate design bubble to see if they could intuitively read the cultural motifs and feel the spatial harmony without it looking forced or out of place. To craft an award worthy entry, ground your work in a clear, authentic story and ensure every detail serves that narrative. When storytelling, restraint, and feedback align, the design becomes powerful enough to resonate globally.

9 The creative industry is constantly evolving. How do you view these changes, and where do you hope to position yourself in the future?

The design industry is moving toward more meaningful, multisensory experiences, which makes this an exciting time to enter the field. Looking ahead, I aim to position myself as a versatile designer across the hospitality, public, and FF&E sectors. Because I design and build custom furniture alongside spatial interiors, I strive to bridge the gap between large scale architectural narratives and tactile, human scale detailing, creating cohesive spaces that tell a unified story.

10 Entering awards can be daunting for many, especially those just starting out. What would you say to individuals who have limited experience, or are hesitant to showcase their work in competitions? How can they build confidence and see the value in participating?

My advice is to view competitions not as a high stakes test, but as a platform to share your passion and test your voice. Being early in your career means you bring a fresh, unbiased perspective to design that the industry actively wants to see. Building confidence comes from honoring your own cultural background and design philosophy. Submitting your work gives your project a life beyond the studio and connects you to a global creative community. The value isn’t just in the trophy; it’s in proving to yourself that your ideas deserve to be seen.

11 Creativity thrives on community. What message would you like to share with fellow creatives, marketers, and advertising professionals?

Design, advertising, and marketing share a common core: the power of authentic storytelling. For my project, my goal was to create a space that celebrates Macao’s heritage, but design only reaches its full potential when it connects with people, and that is where our broader creative community excels. My message to fellow creatives is to keep honoring your unique roots and cultural narratives. When we collaborate across disciplines to share those stories with clarity and passion, we do more than just create beautiful work; we build bridges between cultures and inspire communities on a global scale.

12 Winning is a team effort in many cases. Is there someone or a group of people you’d like to dedicate this achievement to, and why?

Although my project was an individual undertaking, I could not have reached this milestone without the incredible support system around me. I dedicate this achievement to my academic mentors and classmates. Their continuous feedback during critique sessions provided the fresh perspective I needed to test and polish my concepts. I am deeply grateful for their guidance and for creating an environment that challenges and inspires emerging designers to excel.

13 If you could describe your award-winning entry in one sentence, what would it be and why?

"My project reimagines Macao’s unique Sino Portuguese heritage through a contemporary architectural language that seamlessly blends tradition, community, and discovery." Why? This sentence encapsulates the core mission of the project: taking Macao’s rich, living history and translating it into a modern sanctuary where visitors of all generations can learn, connect, and celebrate our shared identity.

14 Finally, what’s next for you? Any exciting projects or upcoming goals that you’d like to share with us and the audience?

Currently, I am focusing my creative energy on furniture and object design. While interior architecture defines a building’s shell, I believe furniture is what truly breathes life into a room, turning an empty, static enclosure into a warm, lived in sanctuary. Mastering both interior architecture and furniture design has been a transformative experience; designing at a smaller scale deepens my appreciation for human scale touchpoints, materials, and detailing, making me a far more holistic spatial designer. Looking ahead, I am excited to be working on my furniture design thesis, a project that explores visual curiosity by crafting furniture that shifts form depending on your vantage point. Through this collection, I hope to increase how often people visually and tactilely engage with the objects around them.

WINNING ENTRY

Student Submission
2026
MUSE Winner - LUSO

Entrant

SC Designs

Category

Student Submission - Student Interior Design