1 Congratulations on your achievements in the MUSE Creative Awards! Could you start by introducing yourself or your agency? Can you also share a bit about your journey into your current industry?

My name is Elen Gasparyan, and I am the Co-Founder and Executive Creative Director of Davel Creative Agency, a Los Angeles–based creative agency. For nearly a decade, I have led the agency’s creative direction and strategy across branding, marketing campaigns, and digital communications for clients both in the United States and internationally. While our agency is headquartered in Los Angeles, we lead branding and communication initiatives for clients nationwide. One example is our work with former NFL player Mark Clayton, where we developed the brand strategy for the launch of his headphone brand, LIVV Audio. In Southern California, we also led the rebranding and digital transformation of Alain Hirsch Construction Company, a firm responsible for building more than 45 flagship retail locations on Beverly Hills’ Rodeo Drive for brands such as Louis Vuitton and Gucci. Our work focused on repositioning the company’s digital presence and storytelling to reflect the scale and prestige of its portfolio. Through my work in the industry, I also contribute to the global creative community by serving as a judge for major international competitions. I am also an Associate member of the International Academy of Digital Arts and Sciences and The One Club for Creativity, communities that bring together leaders shaping the future of advertising, design, and digital culture. For me, this journey has always been about one thing: using creativity not only as a visual tool, but as a strategic force that helps organizations grow, innovate, and communicate ideas that truly matter.

2 What inspired you to submit your work for this competition, and what does winning mean to you personally and professionally?

What inspired me to submit this campaign was the message behind it. “See Me, Not My Cancer” was created to shift the way people perceive cancer patients. Too often, when someone hears the word “cancer,” the individual becomes defined by the illness. We wanted to remind the world that behind every diagnosis is a person with dreams, identity, and a full life. Winning this recognition is especially meaningful, as it demonstrates how creative storytelling can help reshape perceptions and bring attention to important social issues. From a professional perspective, it reinforces our belief that design and communication can create impact beyond traditional marketing. On a personal level, it is equally significant, as it affirms the importance of empathy in creative work — the idea that creativity can help people feel seen, understood, and respected.

3 Can you share the story behind your success? What inspired its creation, and what do you feel it represents in today’s industry?

The story behind this campaign is deeply personal. “See Me, Not My Cancer” was created in memory of my brother. Through his experience, I witnessed how easily a person can become defined solely by a diagnosis, while their identity, personality, and life beyond the illness are often overlooked. That realization became the foundation for this campaign. I wanted audiences to see individuals living with cancer not just as patients, but as whole human beings — parents, friends, professionals, and dreamers whose lives extend far beyond the disease. In today’s industry, I believe this work represents something truly meaningful. Creativity has the power not only to promote brands, but also to reshape how society understands people and difficult realities. Campaigns like this demonstrate how storytelling and design can foster empathy, raise awareness, and bring attention to issues that truly matter. For me, this project is both professional and deeply personal. It carries a part of my own story and honors my brother’s memory by helping others see cancer patients for who they truly are — people first.

4 What do you believe set your project apart in such a competitive field? Were there specific elements or strategies that made it shine?

What set this project apart was its authenticity. Rather than approaching it as a conventional awareness campaign, it was developed as a deeply human story. The message, “See Me, Not My Cancer,” invites an immediate shift in perspective. Its clarity and emotional honesty allowed the work to resonate on a deeper level, helping it stand out within a crowded creative landscape.

5 Every project has its challenges. Can you share a significant obstacle you faced during this process and how you overcame it?

The greatest challenge was finding the right balance between emotional impact and respect. When working with such a sensitive subject, it was essential to avoid sensationalizing the story. The intention was not to focus on suffering, but to highlight life beyond the illness. By keeping the message human-centered and grounded in respect, we were able to create something meaningful while preserving the dignity of those represented.

6 Winning an award of this caliber often brings recognition. What do you hope this achievement will mean for your career, your team, or your agency in the long run? Have you already noticed any changes or opportunities arising from this recognition?

For our agency, recognition such as this reinforces our belief that creativity can serve a purpose beyond commercial success. It highlights how meaningful storytelling has the ability to resonate on a global scale. On a personal level, it is also a meaningful validation that creativity can be used to address social issues and tell important human stories. I hope this recognition opens the door to more opportunities to work on projects that bring together strategy, creativity, and positive impact.

7 What has the reaction been from clients, audiences, or stakeholders about your winning entry? Any feedback or memorable moments that stand out?

The response has been deeply emotional and incredibly supportive. Many people shared that the campaign resonated with them on a personal level, as cancer has touched so many families. Some of the most meaningful feedback came from individuals who said they had never fully considered the experience from a survivor’s perspective before, and that the campaign helped them see the human side of the journey in a new and more compassionate way.

8 For those aspiring to achieve similar success, what advice would you offer to help them not only thrive in their industries but also craft compelling, award-worthy entries? Are there specific practices, mindsets, or strategies you believe are key?

My advice would be to focus on meaning rather than awards. The strongest creative work usually begins with a genuine idea and a real story. Most importantly, put your heart and soul into everything you create.

9 The creative industry is constantly evolving. How do you view these changes, and where do you hope to position yourself in the future?

We should welcome this evolution and never be afraid of it, because we are human, and that is our greatest advantage. Our ability to understand emotions, stories, and people is something technology cannot replace. That balance between human insight and AI will define the next generation of impactful work.

10 Entering awards can be daunting for many, especially those just starting out. What would you say to individuals who have limited experience, or are hesitant to showcase their work in competitions? How can they build confidence and see the value in participating?

I think awards are an opportunity to share ideas, learn from others, and gain perspective. To me, even the process of preparing a submission helps you reflect on your work and grow as a creative professional.

11 Creativity thrives on community. What message would you like to share with fellow creatives, marketers, and advertising professionals?

I believe our responsibility as creatives is not only to innovate, but also to use our skills to create work that connects people and brings about positive change.

12 Winning is a team effort in many cases. Is there someone or a group of people you’d like to dedicate this achievement to, and why?

This project was created together with our team: Team Lead Tatev Hakobyan, Graphic Designer Seda Harutyunyan, and our video team, Artyom Arustamyan and Arman Simonyan. This project is deeply personal to me. I would like to dedicate this achievement to the memory of my twin brother, whose experience inspired the message behind the campaign. His story reminded me that behind every diagnosis, there is still a person with identity, dreams, and a life that continues. This campaign is a tribute to that idea.

13 If you could describe your award-winning entry in one sentence, what would it be and why?

“See Me, Not My Cancer” is a reminder that people living with cancer are still individuals — loving fashion, spending time with friends, caring for their pets, and living their daily routines. The way we treat them matters, because they still want to feel seen as part of our lives and our plans.

14 Finally, what’s next for you? Any exciting projects or upcoming goals that you’d like to share with us and the audience?

Looking ahead, I want to dedicate more time to social impact projects. I believe creativity can be a powerful tool to communicate important messages and bring attention to issues that truly matter. My goal is to continue using creativity, strategy, and heart to create work that not only performs well, but also makes a meaningful difference in people’s lives.

WINNING ENTRY

Social Media
2026
MUSE Winner - See Me, Not My Cancer
Cancer Support Community

Entrant

Davel Creative Agency

Category

Social Media - Community

Social Media
2026
MUSE Winner - See Me, Not My Cancer
Cancer Support Community

Entrant

Davel Creative Agency

Category

Social Media - Public Health

Social Media
2023
MUSE Winner - Empower Her Voice

Entrant

Davel Creative Agency

Category

Social Media - Diversity / Equity / Inclusion (NEW)

Social Media
2023
MUSE Winner - Embracing Masculinity

Entrant

Davel Creative Agency

Category

Social Media - Community