1 Congratulations on your achievements in the MUSE Creative Awards! Could you start by introducing yourself or your agency? Can you also share a bit about your journey into your current industry?

I’m Wenwen Zhu, a Chicago-based multidisciplinary designer, 3D animator, and the founder of BBINK Studio. My practice spans brand identity, print collateral, and motion design for hospitality, lifestyle, and cultural projects. I build clear, narrative-driven systems—logos, packaging, menus, posters, and animation—that feel both rigorous and warm. I entered the field through illustration and animation, then expanded into identity systems as client needs evolved from single assets to holistic brand ecosystems.

2 What inspired you to submit your work for this competition, and what does winning mean to you personally and professionally?

I submitted because this award program evaluates strategy, craft, and impact—the core pillars of my work. Winning validates our system-first approach and strengthens client trust, opening doors to higher-stakes, cross-media collaborations.

3 Can you share the story behind your success? What inspired its creation, and what do you feel it represents in today’s industry?

This body of work began with a clear intention: to build a brand language that feels gentle and self-possessed, and that holds together across print, packaging, space, and motion. I approached it as a system—research first, then a flexible grid, a restrained palette with one expressive accent, readable type, and a simple motion cadence so every touchpoint “breathes” the same way. The shy, slightly averted gaze of the character became a signature: it doesn’t perform for attention; it invites a quieter, more personal connection. I also kept deliberate white space in patterns and layouts, leaving room for imagination instead of filling every beat. Much of the inspiration came from everyday slowness—the small pauses that make experiences feel human.

4 What do you believe set your project apart in such a competitive field? Were there specific elements or strategies that made it shine?

What set this project apart is how a single idea—“a gentle, unhurried sheep”—was engineered into a coherent brand ecosystem and expressed with intentional craft. The concept flows through clear rules: a flexible identity grid, a restrained palette with one expressive accent, typography that works across menus, labels, and posters, and a calm motion cadence so every touchpoint “breathes” the same way. The hand-drawn style isn’t decorative; its soft edges and subtle texture guide hierarchy and pacing in both print and digital, translating naturally into motion timing and easing. Crucially, the character is not a one-off mascot but a systemized piece of IP.

5 Winning an award of this caliber often brings recognition. What do you hope this achievement will mean for your career, your team, or your agency in the long run? Have you already noticed any changes or opportunities arising from this recognition?

It strengthens credibility and meaningfully raises the ceiling for briefs: we’re already being considered for system-level brand architecture instead of one-off assets, with deeper collaborations spanning strategy, identity, packaging, print, and motion. The recognition also helps us set healthier conditions for good work—clearer decision rights, more realistic timelines, and the space to prototype before rollout—so the team can deliver bolder, more coherent systems. Over time, I hope this positions us as a go-to partner for narrative-driven, multi-channel branding and attracts collaborators who value craft and rigor.

6 What has the reaction been from clients, audiences, or stakeholders about your winning entry? Any feedback or memorable moments that stand out?

Clients and audiences have been genuinely happy—the recurring notes are “calm, warm, and clear.” Beyond compliments, the response has been practical: partners invited us to extend the system into seasonal drops with new accent colors, limited poses, and subtle motion cues. During a soft launch, a store manager even noticed guests “lingering longer” because the hierarchy was easy to scan yet rewarding in detail. Professionally, the win changed the conversation. Clients now bring us in earlier—at strategy and planning—so we can shape the story, not just execute assets. Internally, one team said the guidelines “make choices feel obvious,” which sped approvals and gave them confidence to explore variations without hesitation.

7 For those aspiring to achieve similar success, what advice would you offer to help them not only thrive in their industries but also craft compelling, award-worthy entries? Are there specific practices, mindsets, or strategies you believe are key?

Treat design like building a relationship: listen first, then make. Start with a foundations conversation and ask three things they truly care about, two things they fear, and a one-sentence definition of success. Turn this into a one-page shared language—goals, no-go words, aesthetic references, decision-makers, and when to say no. In each presentation, use “story + three options”: articulate the problem and context as you understand them, then offer one strong recommendation plus two viable alternatives, clearly labeling cost, timeline, and risk—so clients can choose while feeling respected and supported. Keep the pace light and iterative: begin with tactile mini-proofs (swatches, layout slices, 15-second motion tests, in-context comps), then scale up. End every meeting with a “feedback sandwich” (what we heard → what we’ll adjust → what we need confirmed) and follow up the same day with a concise recap email that assigns owners and dates. When preparing award-ready materials, show the warmth of the collaboration—not just the polished outcomes. Curate process evidence to tell a co-creation story: first-conversation notes, hand sketches, alignment summaries, decision screenshots, valuable dead-ends, and how you made trade-offs together within budget and time. Invite one sincere client quote (how they felt heard, how the team moved faster), and include real-world photos or short clips that prove the system lives across store, social, and packaging. Finally, credit clearly—who listened, who decided, who drove delivery—so judges see not only craft, but trust and kindness. That often moves them more than showy technique.

8 The creative industry is constantly evolving. How do you view these changes, and where do you hope to position yourself in the future?

I see the industry shifting from one-off campaigns to living systems that must perform across print, packaging, space, and motion—often produced at speed and measured in real time. My plan is to keep learning and widening my range: exploring adjacent aesthetics and categories while deepening my skills in system design, motion grammar, accessibility, and production ops. I want to be the partner who can evolve a brand over seasons—able to shift styles without losing coherence—building IP, toolkits, and data-informed workflows so the work stays humane, scalable, and ready for whatever channel comes next.

9 Entering awards can be daunting for many, especially those just starting out. What would you say to individuals who have limited experience, or are hesitant to showcase their work in competitions? How can they build confidence and see the value in participating?

Start small and be kind to yourself. Pick one or two categories that match your strengths, map your story to the judging rubric, and submit real-context prototypes rather than “perfect” mockups. Think of the entry as a conversation, not a verdict: What problem did you meet, how did you care for the people involved, and what changed because of your work? Ask a friend or client to read your draft and highlight the moments that felt human or helpful—that’s the heart of your case. Confidence grows in inches: one clear page, one concise 30–60 second clip, one honest client quote. Then, systematize so each attempt becomes easier. Save a simple award kit, a folder of before/after assets, and a checklist. Treat feedback—accepted or not—as user research, and celebrate every small milestone. You’ll start to see the value: tighter narratives, clearer process, stronger relationships, and a growing sense that your work belongs in the room.

10 Winning is a team effort in many cases. Is there someone or a group of people you’d like to dedicate this achievement to, and why?

I’d like to dedicate this to our clients—thank you for trusting a system-first approach and meeting us with such openness. You showed up early for the listening calls, shared honest constraints, and gave clear, timely feedback that kept the work focused and kind. You let us prototype in the wild, welcomed the rough edges, and kept the conversation generous—voice notes, quick Looms, annotated PDFs, everything. Because of that, decisions felt lighter and momentum felt shared.

11 If you could describe your award-winning entry in one sentence, what would it be and why?

A gentle, unhurried brand system—hand-drawn warmth, clear rules, and a scalable sheep IP—designed to stay calm and coherent across print, packaging, and motion, because clarity with human touch performs best in the real world.

12 Finally, what’s next for you? Any exciting projects or upcoming goals that you’d like to share with us and the audience?

Next, I’m extending this system into seasonal capsules—new accent colors, limited poses, and short motion loops. Beyond client work, I’ll keep widening my aesthetic range and speak/mentor more, focusing on system design, motion grammar, and cross-media production.

WINNING ENTRY

Corporate Identity
2025
MUSE Winner - Shyly Sheep: Sweetly in the Meadow – Brunch, Coffee & Wine
Shyly Sheep (registered under Chongqing Mimi Yang Culture Communication Co., Ltd.)

Entrant Company

Freelance

Category

Corporate Identity - Brand Identity

Corporate Identity
2025
MUSE Winner - Shyly Sheep: Sweetly in the Meadow – Brunch, Coffee & Wine
Shyly Sheep (registered under Chongqing Mimi Yang Culture Communication Co., Ltd.)

Entrant Company

Freelance

Category

Corporate Identity - Print Collateral (NEW)